
Much thanks and love to my homegirl, Jane Dope who got me a spot in the show.
: Justin
A blog for the members of the Comic Creators Group in Lexington KY. We encourage professionals and serious students of cartooning to join us. Please visit the CCG calendar link to see the time and location of our next meeting. Questions or thoughts may be posted as comments to this blog or sent to lexkyccg@gmail.com.

![]() |
| Originally the illumnai were to be made as a screen. |
![]() |
| Bronze illumine. |
- David Tabatsky
“It's been an honor to be brought into the Tuska world - one I see full of infinite possibilities as a learning center, a museum, a central point of community energy, and as a historic landmark of Kentucky art history. I've been deeply moved by Tuska's work - not only his absolute mastery as an artist of multiple media, but maybe even more by how he shows and teaches us the human condition. His work must live on. It would be a crime to...."
![]() |
| John Tuska's motto - translated from Italian: One life is not enough. |
![]() |
| Thriller Stage Show Halloween 2010 photo by Jennifer Miller |
![]() |
| Billy talks about how he got started... |
![]() |
| Examples of some of Billy's artwork translated onto merchandise. |
| Olivia Wilde from Tron Legacy - pencil sketch from movie still - HB lead in Staples 1.3mm mechanical pencil |

1-1:45p CCG Meeting - Beaumont Branch Library Small Conference Room1:45-2p Break2-4:50p DW&WP Chapter One - Beaumont Branch Library Small Conference Room5:30 or 6p Holiday dinner get together for all - please RSVP
If you are interested in attending/participating in a local meet up to work through the Drawing Words & Writing Pictures curriculum ( a 15-week college level course) please email the CCG Coordinator at (lexkyccg "at" gmail "dot" com.) Please email if you have questions..In 1996, Will Eisner published Graphic Storytelling, in which he defined comics as "the printed arrangement of art and balloons in sequence, particularly in comic books."[42] Eisner's earlier, more influential definition from Comics and Sequential Art (1985) described the technique and structure of comics as sequential art, "the arrangement of pictures or images and words to narrate a story or dramatize an idea."[43]This blending of word and picture - and this includes the unseen words from the writer that inspire the images created by the artist - is what makes comics unique! Nat and Steve really hit the target and fill this void of information - kudos to them for this service to all who want to learn the deceptively complex set of skills necessary for effective sequential narrative/cartooning.
Debbie Sampson describes herself as a Sports Artist, and her website will certainly attest to that. I met her the first week of the WEG while she was painting at a booth near the Equine Village.
A nearby booth promoting a horse registry was hosting a drawing to have your horse immortalized in an oil painting portrait. There was a sample image (shown at right) that was quite striking, which drew me in to learn more - I later discovered the artist was none other than Richard Hescox.
This name sounded very familiar and after talking with the gentlemen from the registry I realized this was a well known science fiction cover artist. I believe he even did a cover or two for Marvel Comics - for their magazine line: Savage Sword of Conan or maybe Kull, The Conqueror. He also has a fine art website where he promotes his equine and portrait art. I was disappointed when I realized Richard was not actually in attendance there at the WEG since I was hoping to meet him in person - but it was a fun connection to make.The American Academy of Equine Art, Inc. was established in 1980 by a group of ten distinguished artists, individually famed for their work on equine subjects. Their aim was to maintain a degree of excellence within the genre, and to promote the academic representation of the equine form in drawing, painting and sculpture. Loosely based on the Royal Academy of Arts in London, the AAEA serves to educate and encourage a broad awareness and appreciation of contemporary equine art as a specific and distinctively worthy segment of fine art in America.